每一个第一次参加法兰克福书展的中国出版人,回来以后都会有一种压力和茫然,不只是面对如此浩瀚的书海个人显得很渺小,而是惊异世界上某些地方,思想和智慧的花朵能开得这么绚烂、这么奇特、这么出人意料。这几年,中国图书在装帧和设计上有了长足的进步,让人们看到了某种趋于世界潮流的迹象,但在书的题材、内在品质,思想的丰富和创新上仍然显得单薄、局促。好花有几朵,寻她千百度。一些冠以“重大”的作品,其在读者心目中的份量和时间的 Every Chinese publisher who attends the Frankfurt Book Fair for the first time will come back with a sense of pressure and confusion. Not only is it that such an expanse of books is seen as a formidable individual, it is astonishment of flowers in some parts of the world, thoughts and wisdom To be able to drive such a gorgeous, so strange, so unexpected. In recent years, Chinese books have made great strides in framing and design, giving people some indication of trends toward the world trend. However, they still appear weak in the themes, internal qualities, and enrichment and innovation of the book. . There are a few flowers, looking for her thousands of Baidu. Some of the works labeled “major” have their weight and time in the reader’s mind