《中国花卉盆景》2004年第六、七期连续登出了《朋友,想去观赏深圳东湖公园盆景世界吗?》的一批盆景作品的照片和配文。看后受益匪浅,给我今后对盆景的制作和欣赏开阔了思路。在观赏这些盆景幽雅美丽之时,看到了少数作品因一些配件比例失调有失真实之不足。例如《山崖垂青》山上栽植的这棵树与山、与水中的竹筏、与半山腰茅屋的比例大大失调,烘托出这棵树比山还要大,比山还要高。山上能长出遮过整个山的树么?再如《闲情雅致》,山石平台上的两位老者与山崖下的竹筏其比例也不当,除非竹筏不在崖下而在远处。又如《清溪泛舟》中临水式黑松,象是搁在山石后面似的,树顶有向右下方 “China Flower Bonsai” In 2004, the sixth and the seventh issue of a series of photos and quotations of a group of bonsai works of “friends, want to watch the world of bonsai in Shenzhen East Lake Park?” Benefit from the look, give me the future of bonsai production and appreciation of the open ideas. While watching these elegant and beautiful bonsai, I saw a handful of works due to the imbalance in the proportion of some parts of the distortion is really not enough. For example, the ratio of the tree and the mountain planted on the hill with mountains, the raft in the water, and the hut with a half-mountain hut is far out of balance. It shows that the tree is larger than a mountain and higher than a mountain. The mountains can grow over the entire mountain tree it? Another example is “leisurely elegant”, the two old men on the rock platform and the bamboo raft under the cliff its proportion is not appropriate, unless the raft is not in the cliff and in the distance. Another example is the “stream brook” in the water-type black pine, like resting behind the rocks, the tree top to the lower right