就演唱、演奏等二度创作而言,赋予音乐作品规范、恰当、并且富有想象力的力度表现无疑是重要内容之一。在具体的力度表现过程中,旋律中各种客观存在的潜在因素为二度创作提供了实施力度布局的依据。本文尝试就这一现象作些简要的分析。一、旋律的律动与力度旋律总是通过固定的强拍、弱拍的交替来实施其最基本的组织的。由于节拍的单位拍时值在一定 For second-time performances such as singing and playing, it is undoubtedly one of the important contents to give a standardized, proper and imaginative performance of musical works. In the process of concrete intensity performance, the potential factors of various objective existence in the melody provide the basis for the implementation of intensity arrangement for the second degree creation. This article attempts to make a brief analysis of this phenomenon. First, the melody rhythm and intensity Melody always through a fixed strong beat, weak beat alternately to implement its most basic organization. Due to the beat unit time at a certain value