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中华民族的原生环境与原生文化造就了中华民族的立身之本,也为我们接纳外来文化准备了优秀的文化机制,这样的文化基础使得中华民族历几千年而绵延不绝。中国文化在恒稳的传承过程中一直保有自己的文化观念,自主自足的文化观念一直贯穿在文化的各个领域,美术也不例外。沿着这样的发展脉络,中国美术观应该既包含中华民族固有的优秀文艺资源,又能涵化与外来文化交流过程中产生的新观念。以这种中国美术观来思考与处理国家重大历史题材也理所应当,具体说来,如何表现国家,如何认识重大,如何把握历史就是中国美术观的现实体现,理论思维的清晰度与艺术表现的成功率就是检验中国美术观的具体指标。本期刊发论文皆不离这一主题,大家可以比照业已完成的国家重大历史题材创作工程,来总结我们的理论与创作成果。
The original environment and native culture of the Chinese nation have created the foundation for the Chinese nation and prepared excellent cultural mechanisms for us to accept foreign cultures. This cultural foundation has allowed the Chinese nation to lapse for thousands of years. Chinese culture has always maintained its own cultural concept in the process of its steady heritage. Self-contained cultural concepts have always permeated all fields of culture, and fine arts are no exception. Along such a vein of development, the concept of Chinese art should include not only the outstanding literary and artistic resources inherent in the Chinese nation, but also new ideas arising from the process of cultural exchanges with foreign countries. To think and handle the important national historical themes with this view of Chinese art is also exactly what it should be. Specifically, how to represent the country, how to understand it and how to grasp it is the embodiment of the Chinese artistic concept, the clarity and artistic expression of theoretical thinking The success rate is to test the specific indicators of Chinese art. This issue of papers are not far from this theme, we can reference has been completed by the state’s major historic themes creation project to sum up our theory and creative achievements.