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上世纪30年代,鲁迅先生通过举办展览、开办“木刻讲习班”、翻译出版欧洲版画名家画册等方式向国内介绍和传播国外木刻艺术。作为革命斗争的有力武器,这种艺术形式迅速被进步美术青年所接受,形成了具有极大感召力的“新兴木刻运动”。而同时,1932年在天津,一些爱好木刻的艺术青年组织了木刻研究小组——平津木刻研究会天津部。参加者有杨袁、唐达、李捷克、许仑音、张宝路等人他们与刘风虎、李平凡、杨大辛等人逐渐形成了艺术群体,天津的木刻艺术发展的风起云涌。在十来年间,举办了“全国木木刻联合展览”、“津京木刻联展”等具备全国影响力的木刻展览。今年9月,“铁蹄下的青春——杨大辛与1943年津京木刻展”在天津举办,为我们揭开这段历史。王伟毅先生为此写作了研究性论文《新兴木刻运动、“津京木刻联展”与杨大辛》,本刊连载此文,以期呈现这段特殊历史时期的风云变幻。
In the 1930s, Mr. Lu Xun introduced and disseminated woodcutting art in China by holding exhibitions, setting up “woodcut workshops”, and translating and publishing European famous book prints. As a powerful weapon in the revolutionary struggle, this art form was rapidly accepted by the progressive art youth and formed the “new woodcut movement” with great charisma. Meanwhile, in 1932 in Tianjin, some art-loving woodcut artists organized a woodcut research group, the Tianjin Division of the Pingjin Woodcut Research Society. Participants Yang Yuan, Tang Da, Li Czech Republic, Xu Lun Yin, Zhang Baolu et al. They and Liu Fenghu, Li Pingfan, Yang Daxin and others gradually formed an art group, the development of woodcut art in Tianjin surging. In ten years, held a “National Woodcut Joint Exhibition ”, “Jinjing Woodcut Exhibition ” and other nationally influential woodcut exhibition. In September this year, “Youth Under the Iron Horse - Yang Daxin and the 1943 Jinjing Wood Carving Exhibition” was held in Tianjin and opened the history for us. Wang Weiyi wrote a research paper for this purpose, “Emerging Woodcut, ” Jin Jing Woodcut Exhibition “and Yang Daxin,” published in this article, in order to present the changing situation of this special historical period.