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近几年来,随着电视节目的多方位发展,在屏幕表现形式上又增添了电视散文片这朵新葩。参与和关心电视散文片的理论探讨者也越来越多,不少专业性书刊都发表了有关论著。但是,就目前我所看到的这些论者来看,大多数都是就纪实性电视专题片的解说词而言。他们把纪实电视专题片解说词有散文味的片子视为电视散文片,实际上过去的很多风情片都这样做了。我认为,纪实性电视专题片的解说词写得美一些,只能说它的文学性较强,并不能说这类电视专题片就是电视散文片。
In recent years, with the multi-pronged development of television programs, the new form of TV prose has been added to screen forms. There are also more and more theoretical explorers who participate in and care about the TV prose, and many professional journals have published relevant treatises. However, most of the commentators I have ever seen are mostly narratives of documentary television feature films. They regard documentary TV feature film narrative essay taste of the film as a prose, and in fact many of the past, the style of the film have done so. In my opinion, the explanatory narratives of documentary television feature films are more beautiful and can only be described as more literary. It can not be said that such TV feature films are television prose films.