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当下的军事题材影视批评急需建立起一个既具情景意识又有自觉的当代学术话语高度的批评平台来面对军事题材影视作品的创作与接受上的新现象。就其情境确立而言,当下军事题材影视剧,作为一种公共领域,要面对的是特殊情境之中中国人的国家认同、文化身份等问题。就其符号创造而言,影视批评作为一种文化符号的创造是在人类文化学、现象学、解释学、存在主义的基础上建立起的当代人文学科的一员,是“价值共同体”的组成部分,它作为一种文化符号与人们的生存利益与意志形成表达/塑造的关系。对近年来的军事题材影视作品的阐释、理解,主要不是一个美学判断,而是要在更宽广的文化、政治、社会层面上进行的价值立场的选择和定位。
The current military film and television criticism urgently needs to establish a critical platform that is both situational and self-aware and highly contemporary in academic discourse to face the new phenomena in the creation and reception of military themed film and television works. As far as its situation is concerned, the current military film and television drama, as a kind of public domain, is faced with such issues as the national identity and cultural identity of Chinese people in special situations. As far as its symbolic creation is concerned, the criticism of film and television as a symbol of culture is a member of the contemporary humanities established on the basis of human culture, phenomenology, hermeneutics and existentialism, and is a member of “value community” As a cultural symbol of the survival of people’s interests and will form the expression / shaping relationship. The interpretation and comprehension of military films and television works in recent years are mainly not aesthetic judgments, but the choice and orientation of the value stance on a broader cultural, political and social level.