中国画的审美具有深厚的传统,其背后所蕴含的人文精神和文化心理发展更是源远流长。南朝谢赫在其画论《古画品录》中将“气韵生动”作为“六法”之首,一般说来,气韵生动是指绘画的内在精神和气韵,能够达到一种反映生命本体鲜活激荡、跃然纸上的状态。然而在经历了20世纪东西方文化交汇碰撞之当下,这种“气韵”则更应该 The aesthetic of Chinese painting has a profound tradition. The humanistic spirit and cultural psychology behind it have a long history. Sheikh in the Southern Dynasties in his painting “ancient paintings recorded” will be “vivid” as the “six law ” in the first, in general, the rhythm and vivid painting refers to the intrinsic spirit and charm of painting, to achieve a reflection Fresh and vivid body of life, vividly the state of the paper. However, after experiencing the collision of Eastern and Western cultures in the 20th century, this kind of “charm” should be more