陶质印材由来已久,早在新石器时代就有陶制的印章,唐宋时期,景德镇已有瓷印的制作生产。但是由于陶瓷印有较大的局限性,瓷印很难得到发展,因此自明代文彭将灯光冻石作为篆刻材料,石材一直是篆刻材质的主流。随着近年来石材资源紧缺以及一部分篆刻家的不断探索,陶瓷这一材质渐渐重新进入篆刻界并得到广泛的关注。所谓“陶瓷印”就是以“陶”和“瓷”为材料创作的印章。“陶瓷”一词应一分为二,即陶和瓷两大类:胎体没有致密烧结的粘土和瓷石制品为“陶”;经过高温烧成、胎体烧结程度较为致密、釉色品质优 Ceramic material has a long history, as early as the Neolithic pottery seal, Tang and Song Dynasties, Jingdezhen porcelain printed production. However, due to the ceramic printed larger limitations, Porcelain India is difficult to be developed, so since the Ming Dynasty Wen Peng as a light stone as a seal material, stone has been the mainstream of the seal material. With the shortage of stone resources in recent years and the constant exploration of some of the seal carvings, the material of ceramics has gradually re-entered the carving industry and received extensive attention. The so-called “ceramic printing ” is to “pottery” and “porcelain ” as the material of the seal. The term “ceramic” should be divided into two categories, that is, ceramic and porcelain. There are two types of ceramic and porcelain: the ceramic and porcelain stoneware without the densely sintered carcass is “Tao”; after firing at high temperature, the degree of sintering of the carcass is more compact Glaze excellent quality