中国画发展到近现代,在20世纪的近百年中,基本贯穿着一条主线,那就是融合西方艺术,向现代化转型。比如徐悲鸿、周思聪之于人物画,李可染、张仃之于山水画等等,老一辈的艺术家通过自己的身体力行,为中国画开辟了新的传统,为艺术史书写了新的篇章。20世纪60年代以前出生的画家,现在基本都已功成名就、各自雄霸一方。而出生在七八十年代的新生代画家,成长在一个社会形态新旧交替,保守和开放并置的时代。传统与现代不经意间的碰撞,使他们走向新生的未来,曾经的彷徨、迷惘和对未来 Chinese painting developed to modern times. In the nearly one hundred years of the 20th century, the basic principle ran through the main line of integration of western art and modernization. Such as Xu Beihong, Zhou Sicong in the portrait painting, Li Keran, Zhang Dingzhi in landscape painting and so on, the older generation of artists through their own efforts, for the Chinese painting has opened up new traditions, wrote a new chapter in the history of art. Painters born before the 1960s have basically become famous, each dominated. Born in the seventies and eighties of the new generation of painters, grew up in a social form of old and new, conservative and open juxtaposed era. The collision between tradition and modernity inadvertently brings them toward the newborn future, once confused, confused and the future