《春秋》笔法之“惩恶而劝善”对中国古代诗论和赋论产生了深远影响。自汉迄清,虽然不乏审美体验、个性情感的追求,但“美刺”、“讽谏”一直都是诗歌创作和诗歌品评的重要参考标准,充分体现了“《诗》与《春秋》相表里”的观念。受“依经立义”意义生产方式的影响,汉赋的创作和评论也多围绕“颂扬”、“讽谏”入手,虽然他们褒贬殊异,入思理路却惊人一致:肯定者借助“讽谏”的理想功能来提高汉赋的地位,贬抑者则借助“讽谏”的既成实效来否定汉赋的价值,共同指向其“劝百讽一”的美学内涵。 “Spring and Autumn” style of writing “Punishing evil and persuading good” have profound influence on ancient Chinese theory of poetry and fu. Since the Han Dynasty Qing Dynasty, although there is no shortage of aesthetic experience, the pursuit of individualistic emotions, “beauty thorn ”, “satirical remonstrance ” has always been an important reference standard for poetry creation and poetry evaluation, fully embodies “Spring and Autumn Period” in the concept of “. Influenced by the mode of production of meaning of ”according to the standpoint of righteousness and justice“, Han Fu’s creation and commentary mostly focus on ”praising “, ”satirical remonstrance “ to start with, though they praise and demeanor, The affirmer improves the status of Han Fu by the ideal function of ”satirical remonstrance“, while the derogator relies on the established actual effect of ”satirical remonstrance“ to negate the value of Han fu and jointly point to his ”persuasion" Connotation.