葵帕慕克的《我的名字叫红》中讲述过三个画马的细密画家的故事,一位说:当我画一匹骏马时,我就成了画它的伟大的前辈绘画大师。另一位说:当我画一匹骏马时,我就是我自己,仅此而已。第三位说:当我画一匹骏马时,我就成了那匹骏马。这三个画师,今天我们习惯用自然主义、风格主义和存在主义来为他们贴上标签,代表着三种视觉创造的范式。其实在这三种方法之中,无论优劣, In the story of Kwai Pamuk’s “My Name Is Red”, I told the story of three miniature painters who painted horses. One said that when I painted a horse, I became the great painting master of the great predecessors. Another said: When I draw a horse, I am myself, nothing more. The third said: When I draw a horse, I became that horse. These three artists, today we are accustomed to using naturalism, style and existentialism to label them and represent the three paradigms of visual creation. In fact, among the three methods, regardless of merits,