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小说《青狐》以关于文学的叙事,对“新时期”文学进行了再写与反思,其进一步目的是对1980年代以来“新启蒙”思想与现代性叙事的重新审视与清理。小说形象地揭示了“新启蒙文学”中对于身体的意识形态表述,并不能带来“大写的人”的产生与主体性的确立;而“新启蒙”思想在一种传统与现代二元对立的思考方式中,因为其对西方现代性的价值重申,在面对全球化背景下的中国问题的时候,已经丧失了自身内在的反抗力量。
The novel “Green Fox” rewrites and introspects the literature of “New Period” with the narration of literature. Its further purpose is to re-examine and clean up the “New Enlightenment” and modernity narration since the 1980s. The novel vividly reveals that the ideological expression of the body in “New Enlightenment Literature” does not bring about the creation of the “uppercase” and the establishment of the subjectivity. However, the “new enlightenment” Because of its reaffirmation of the value of Western modernity and its loss of its own internal resistance in the face of the China issue in the context of globalization.