劳伦斯的代表作品《恋爱中的女人》是其三部曲之一,也是劳伦斯自认为技巧最圆熟的长篇作品。本文试图在酷儿理论的统照下,界定作品中两位男性主人公伯金和杰拉德之间感情的性质,进而探究劳伦斯的写作意图。 Lawrence’s representative work, The Woman in Love, is one of the trilogy and the most lengthy piece that Lawrence has considered as the most skillful. This article attempts to define the nature of the feelings between the two male protagonists, Birkin and Gerrard, under the control of queer theory, and then to explore Lawrence’s writing intent.