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《当代戏剧》无疑应讨论戏剧的当代性,这是一个大题目,涉及的范畴很宽泛,既涵盖剧作、表导演、乃至音乐、舞美诸方面的问题,也触及戏剧理论的探讨与研究。时代在前进,生活在前进,无论戏剧对社会还是戏剧自身的衍进,当代性问题是如此突兀地需要加以研究与探讨。本刊特辟专栏以期引起戏剧界朋友的重视,参加到此项讨论中来,我们恳切期望得到支持,对于言之有物、见解新颖、短而精的佳篇尤所欢迎。
“Contemporary drama” undoubtedly should discuss the contemporary nature of drama. This is a big topic that involves a wide range of topics, covering not only drama, watch directors, but also music and dance, as well as discussions and research on drama theory. The times are moving forward and the life is moving forward. No matter whether drama plays a role in promoting society or the drama itself, the contemporary issues need to be studied and discussed so abruptly. We hereby give special attention to our columns to arouse the attention of the theater industry friends. With this discussion, we sincerely hope that we will receive support. We are especially welcome for those who say something new, have a good opinion, and have short but excellent articles.