“收藏”是一个古老的话题,它的话题总是与藏家联系在一起。真正的藏家群体,其实是与艺术家、画廊、拍卖公司等市场主体走得比较近的一个群体,因此,藏家群体的庞大也就是艺术品市场繁荣的真正体现。然而当代活跃于各类拍卖会的藏家大部分都是炒家,一件作品到手以后,往往还没捂热就出手了,让人感觉整个艺术品市场是:只见艺术品满天飞来飞去的,而没有恒定地停留在一个人手上。也就是,艺术品只具有交易功能,而不具有鉴藏功能。火爆的拍卖会,到处是天价拍品的爆料,却很少见一件艺术品真正起到了什么社会价值。这主要就是真正的藏家的缺乏、炒家的增多所导致的。 “Favorites ” is an old topic whose topic is always associated with collectors. The real group of collectors is actually a group that is relatively close to market players such as artists, galleries and auction houses. Therefore, the huge collection of collectors is the true manifestation of the prosperity of the art market. However, most contemporary collectors who are active in all kinds of auctions are mostly speculators. After a piece of work arrives, it is often noticed that the whole art market is: the artworks are flying all over the place , Without constant staying in one’s hands. That is, the artwork only has the transaction function, but does not have the function of collection. Hot auction, full of high price auction broke the news, but rarely seen a piece of art has really played a social value. This is mainly due to the lack of genuine collectors and the increase of speculators.