陈导的新版《赵氏孤儿》损誉参半,暂且将其评论搁置一边,热浪过后,隔着一点距离再回看电影及相关的戏曲文本。回到最原始的问题:作为一部根据历史改编的电影,它和戏曲本是怎样的关系?是互文式的对应与诠释?还是局部或彻底的改写?如果存在着改写,那么这种改写给影片带来了怎样的影响。 Chen’s new edition, “Orphan of Zhao,” has been widely tarried for the time being, leaving aside his comments. After the heatwaves, he returns to the movies and related drama texts with a little distance. Back to the Primitive Question: As a movie based on historical adaptation, what is the relationship between it and opera? Is it correspondence and interpretation of intertextuality? Or is it partial or complete rewriting? If there is rewriting, What impact the film has brought