一新艺术催生教育变革自上世纪70年代末80年代初以来,随着改革开放大门的打开,中国的艺术开始悄悄酝酿着新的变化。北京的“星星画会”和重庆的“野草画会”率先开启了中国当代艺术的帷幕。以四川美术学院77、78级为代表的大批以反思历史和关注人本为主要倾向的“伤痕”美术和“乡土”绘画不仅引发了中国当代艺术的发展风潮,也使得“四川画派”开始以群体的方式在中国美术界备受瞩目。“伤痕”美术和“乡土”绘画从表面上看是一种对历史的反思和 The birth of a new art education revolution Since the late 1970s and early 1980s, with the opening of the door to reform and opening up, China’s art has quietly brewing new changes. Beijing’s “Star Art Society” and Chongqing’s “Wild Grass Society” took the lead in opening the curtain of contemporary Chinese art. A large number of “scars” and “native” paintings, represented by the 77th and 78th stances of the Sichuan Academy of Fine Arts, not only sparked the development trend of contemporary Chinese art, but also made “ Sichuan Painting School ”began to attract the attention of the Chinese art community in a group manner. “Scar ” art and “Native ” painting on the surface is a kind of reflection on history and