菊花入画源于五代。五代是传统花鸟画走向成熟的时期,也是菊画发展的萌芽阶段。初时的菊画,多受陶渊明出仕思想的影响,因而“松竹梅菊……必见于幽闲”(《宣和画谱·花鸟叙论》),并且十分注意写生,追求形似。晚唐画家滕昌佑入蜀,在住宅旁栽植菊花,因此,颇得菊花的形状与特征,所画《寒菊图》等,“笔迹轻利,敷彩鲜泽”“宛有生意”。据《宣和画谱》记载,其他花鸟画名家黄筌、徐熙、黄居、丘庆余等人, Chrysanthemum into the painting from the Five Dynasties. Five generations of traditional flower and bird painting to mature period, but also the embryonic stage of the development of chrysanthemum painting. Early chrysanthemum paintings, mostly Tao Yuanming’s career as a preacher, so that “Shochu plum chrysanthemum ... ... must see Yu Leisure” (“Xuan He chrysanthemums and flowers and birds narration”), and pay great attention to the sketch, the pursuit of the shape. In the late Tang Dynasty, the artist Teng Changyou was placed in Shu and planted chrysanthemum next to the house. Therefore, the shape and characteristics of the chrysanthemum were painted and the paintings such as “Hanju figure”, etc. “ Handwriting light, . According to ”propaganda and painting" records, other flowers and birds masters Huangpi, Xu Xi, Huang Ju, Qiu Qingyu and others,