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在书法界,提起《中国书法》的三十年,许多人都有话要说。作为一名老读者,我以重读几十年《中国书法》作为一种默默的庆贺方式。几天下来,从一九八二年的创刊号到二○一二年第十期,重翻一过,感慨良多。譬如,一九八六年邱振中关于章法的构成的讨论、一九九○年前后熊秉明关于书法内省心理研究教学法的探索等等,在当年都令我辈感到新奇,至今还记忆深刻;同样,黄惇关于董其昌书论的研究、朱关田关于唐代书法的讨论等等,直接触发了我在书法学习中对史论
In the calligraphy circle, when we mentioned the thirty years of “Chinese calligraphy,” many people have something to say. As an old reader, I reread decades of “Chinese calligraphy” as a silent celebration. A few days later, from the first issue in 1982 to the tenth issue in 2012, it has taken a heavy toll and has mixed feelings. For example, in 1986 Qiu Zhenzhong’s discussion on the constitution of the Constitution, and his exploration of the psychology of the study of calligraphy introspection around 1990 and so on, all made me feel novel today and memorized profoundly. Huang Qun’s research on Dong Qichang’s book theory, Zhu Guantian’s discussion on the calligraphy of the Tang Dynasty, etc. directly triggered my study on the history of calligraphy