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一提起法国导演,人们通常的第一反应是一个无比深沉、或者超级前卫的形象,似乎他们总是热衷于表现人类精神危机之类的东西,充满了知识分子气。然而吕克·贝松就显得非常另类。吕克·贝松是法国最能吸引人们注意的导演,他编导制作无所不能,而且几乎每部影片都能激起人们的期待。他的身份很多,经常兼任制片、编剧、演员、剪辑等。因为屡创票房佳绩,被誉为法国的斯皮尔伯格。作品节奏快捷、风格奢华,极具商业价值。有人称他的电影实际上是美国片,只不过是在法国拍摄而已。从大西洋底的碧海蓝天,到杀手里昂的盆栽墨镜,到黑白巴黎的爱情救赎,
When it comes to French directors, it is usually the first reaction to a very profound or super-avant-garde image that seems to be always keen on showing things like the crisis of the human spirit, full of intellectuals. However Luc Besson is a very different kind. Luc Besson is France’s most eye-catching director, director of production omnipotence, and almost every film can arouse people’s expectations. He has many identities and often works as producer, screenwriter, actor, editor and so on. Because of repeated box office success, known as the French Spielberg. Works fast paced, luxurious style, great commercial value. Some people claim that his film is actually a U.S. film, just filmed in France. From the blue ocean at the bottom of the blue sky, to the killer Lyons potted sunglasses, black and white Paris to love redemption,