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戏曲司鼓又称戏曲音乐指挥,它担当的任务亦非是敲敲鼓板挥挥手,它不仅要很好地完成音乐谱面的指挥任务,更重要的是它必须要与舞台上的剧情结合在一起,以人物为核心,掌握舞台节奏,注重唱腔情绪,设计锣鼓点子。随着时代的发展,戏曲的音乐性也越来越强,多声部的配器,管弦乐的加入,给戏曲音乐指挥带来更新的要求,也促使我们必须不断学习和了解一
Opera drama drum, also known as opera music conductor, it is not the task of playing drums waved, it not only to complete the task of music spectrum command, more importantly, it must be combined with the stage plot Together, to character as the core, to master the stage rhythm, pay attention to singing mood, design percussion ideas. With the development of the times, the musicality of the opera is also getting stronger and stronger. The addition of multi-voices and accessories and orchestras bring renewed demands to opera music commanders and also urge us to constantly learn and understand one