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对子明、无用师两本《富春山居图》的讨论,从开始至今已经持续了近四十年,在徐复观的影响下,参加讨论的学者大多将画作本身置于题跋内容之外,使题跋成为主要研究对象。本文另辟蹊径,着重对在书画鉴定中起辅助作用的印章进行分析,这一角度在前人工作中已略有涉及,但多未详细。本文希望能够以此为据,通过
The discussion on the two books of Fuchun Residence in Zhaoming and Wujiang division has lasted nearly 40 years since the beginning. Under the influence of Xu Fuguan, most of the scholars participating in the discussion placed the painting itself outside the content of the inscription Postscript as the main research object. This article another way, focusing on the identification of paintings in the auxiliary role of the seal for analysis, this perspective has been slightly involved in the work of predecessors, but more detail. This article hopes to be based on this, through