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进入新世纪以来,华语乐坛出现了一股前所未有的“中国风”流行歌曲浪潮。本文在总结分析“中国风”现象来龙去脉的基础之上,运用阿多诺的流行音乐理论对这一文化现象进行了一个较为深入的批判性解读,认为中国风歌曲在制作上存在着标准化和伪个性化的特点,在听众接受上存在着精神涣散和听觉退化,而其具有的怀旧情结能够起到社会粘合剂的作用。
Since entering the new century, there has been an unprecedented wave of “Chinese style” pop songs in the Chinese music scene. Based on the analysis of the context of the “Chinese style” phenomenon, this article uses Adorno’s popular music theory to make a more in-depth and critical interpretation of this cultural phenomenon, and concludes that there is standardization in the production of Chinese style songs And pseudo-personalized features, there is the spiritual distraction and auditory degeneration in the audience acceptance, and its nostalgia complex can play the role of social adhesive.