许多印象主义作品的其中一个主要特点是当观察者在完整的,流畅的经历组成的背景下观察一客体时,主体与客体,或者客体之间的区别和界限是易变的。在康拉德的作品中,这一技巧最直接的使用是将一客体置身于一物理环境中并描述该背景是如何影响客体的。康拉德通过表明人不能把客体和其他现象从物理环境——背景中隔离开来,而不变换其面貌来强调背景感知。典型的例子为小说《黑暗的心》的先前部分。当马洛沿非洲海岸旅行,他评论到每 One of the main features of many impressionistic works is that when the observer observes an object in the context of a complete, fluid experience, the distinction and boundaries between the subject and the object or object are variable. In Conrad’s work, the most direct use of this technique is to place an object in a physical environment and describe how the context affects the object. Conrad emphasizes background perception by showing that one can not isolate objects and other phenomena from the physical environment-background without changing their appearance. A typical example is the antecedent of the novel Dark Heart. When Mallow traveled along the African coast, he commented to each