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从公元4世纪至14世纪,延续千年的造像使敦煌成为世界佛教艺术的宝库。敦煌壁画是敦煌艺术的主要组成部分,包括莫高窟、西千佛洞、榆林窟共有壁画五万多平方米,其内容丰富多彩,规模巨大,技艺精湛。它和别的宗教艺术一样,描写神的形象、神的活动、神与神的关系、神与人的关系,以寄托人们的愿望,安抚人们的心灵。笔者把敦煌壁画的审美样式归纳为以下几点。
From the 4th to the 14th century, the continuation of the Millennium statue made Dunhuang a treasure house of world Buddhist art. Dunhuang murals are the main components of Dunhuang art, including Mogao Grottoes, West Thousand Buddha Caves and Yulin Grottoes, with a total of more than 50,000 mural murals. The murals are rich in content, large in scale and superb in artistry. Like other religions, it describes the image of God, the activity of God, the relationship between God and God, the relationship between God and human beings, in order to pin their aspirations and appease their souls. The author summarizes the aesthetic style of Dunhuang murals as follows.