在第55届威尼斯双年展平行展《未曾呈现的声音——中国独立艺术展》中,总策展人王林将展览内容分成九个单元,其中对“身体”部分的阐释为“:现代人因教育而成为公民,身体与意识形态关系密切。”启蒙运动将“天赋人权”作为口号,强调人所具有的平等权利,包含生命权、自由权和追求幸福的权利。自文艺复兴以来,艺术家往往借助身体形象这一最为敏感的题材来展现对自由平等权利的追求。从提香到伦勃朗、从大卫到安格尔、从德拉克罗瓦到梵·高,身体不再是由内向外的审美主体,而成为传达思想意识的形式载 At the 55th Venice Biennale, “Unprecedented Voice - China Independent Art Exhibition”, curator Wang Lin curated the exhibition into nine units, of which the interpretation of the “body” part was “The modern people have become citizens because of education and their bodies are closely related to ideology.” “The Enlightenment uses” natural human rights "as its slogan and emphasizes the equal rights that people have, including the right to life, liberty and the pursuit of happiness . Since the Renaissance, artists have often resorted to the most sensitive subject of body image to show their pursuit of the right to freedom and equality. From Titian to Rembrandt, from David to Angle, from Delacroix to Van Gogh, the body is no longer the aesthetic subject from the inside to the outside, but a form that conveys a sense of ideology