“虚境”的营造是中国传统山水画中相当重要的一个部分,它反映着传统文人对中国哲学思想的理解和实践。中国传统文人通过对自然界的观察和了解,把自然山水的“无限”空间和老子道家思想中的“虚无”、“淡泊”等联系起来,并加之以自己的思想,最终通过山水画的方式将其表现出来,形成了山水画中独特的虚境营造的特点。 The creation of “imaginary” is a very important part of Chinese traditional landscape painting, which reflects the traditional scholars’ understanding and practice of Chinese philosophy. Through the observation and understanding of nature, the Chinese traditional literati linked the “infinite” space of natural landscape with the “nothingness” and “indifference” of Lao Zi’s Taoist ideology, combined with his own thoughts, finally Through the way of landscape painting to show it, forming the unique landscape created in the characteristics of the virtual environment.