本文以电影《老井》《血色清晨》《天狗》《天注定》为例,历时性分析不同时期农村题材电影如何借暴力的呈现来表现农村的真实。在暴力的起因上,逐渐由乡土传统禁忌转为追逐经济利益;作为暴力的重要客体,身体的异化特征随时间更加突出;在影像风格上,传统写实正逐渐呈现出风格化的暴力美学特征。 Taking the movies “Old Well,” “Bloody Morning,” “Tengu,” and “Heavenly Annotations,” as an example, this paper diachronicly analyzes how rural movies in different periods show the reality of rural areas through the presentation of violence. In the cause of violence, the traditional taboos gradually turned from chastity of rural areas to chasing economic interests. As an important object of violence, the alienation features of the body became more prominent with time. In terms of image style, the traditional realism is gradually showing the stylized characteristics of violent aesthetics.