昆山腔是我国最古老的剧种之一,是我国传统文化艺术中的奇葩。明代中叶至清代中期戏曲中影响最大的声腔剧种,很多都是在昆山腔的基础上发展起来的,昆山腔因此有“中国戏曲之母”的雅称。但它如此成就并非一蹴而就,在其形成之初,魏良辅改革之前,它也存在种种问题。一、介绍魏良辅改革前的昆山腔昆山旧腔:四大声腔之一,流行于江苏昆山一带,是元代顾坚等人在南戏的基础上结合地方方言和音乐而创制的声腔。因其趋向雅化,文 Kunshan Cavity is one of the oldest operas in China and is a wonderful flower in China’s traditional culture and arts. Much of the acoustical opera, the most influential operas in the mid Ming Dynasty and the mid-Qing dynasties, was developed on the basis of the Kunshan accent. Kunshan accentuated its claim that “the mother of Chinese operas”. However, its achievement is not accomplished in a single step. Before its formation, Wei Liangfu also had various problems before the reform. I. INTRODUCTION Wei Liangfu Kunshan Cavity before the reform Kunshan Cavity: One of the Four Voices, popular in Kunshan, Jiangsu Province, is a sound chamber created by Gu Jian and others in the Yuan Dynasty based on the local dialect and music. Because of its tendency to elegant, text