中国古代爱情诗源远流长,先秦时期《诗经》达到了爱情诗创作的第一次高潮。《诗经》中大部分爱情诗遵循“不淫不伤”的出发点,体现礼义与君子风范。而《野有死麇》因其对性爱的大胆描写和对礼的轻视而成为《诗经》中饱受争议的爱情诗之一,从古至今对其主题及存在合理性的讨论延绵不绝。通过对这些观点看法进行了一定的归类和对比研究,探索一系列关键词意义及其背景,得出此诗反映了西周初年推行周礼初期未被完全替换的野合习俗,宣扬了“发乎情,止乎礼”的审美观念的结论,阐明了此诗是一篇以“夫妻野合”为题材的婚恋诗,同时还探究了此诗被收入《诗经》“二南”的合理性。 Ancient Chinese love poems have a long history, and the “Book of Songs” in the pre-Qin period reached the first climax of the creation of love poems. Most of the love poems in “The Book of Songs” follow the starting point of “not infatuation or not hurting”, which reflects the style of virtue and gentleman. However, because of its bold description of sex and contempt of courtesies, Wild Death is one of the most controversial love poems in The Book of Songs. From the ancient time to the present, the discussion of its theme and rationality has not stopped. Through some categorization and comparative study of these viewpoints, exploring a series of key words and their background, it is concluded that this poem reflects the practice of the Wild Customs which was not completely replaced during the early years of the Western Zhou Dynasty, “It is a conclusion that this poem is a love and marriage poem based on the theme of” The Unyielding Couple “and explores that this poem is included in the Book of Songs ”The rationality.