在《广艺舟双楫》的书学理论研讨中,对其理论的批评与阐释往往牵涉“碑学”与“帖学”的学术议题以及文本产生的政治语境,这些因素虽不可忽视,却也可能带来解读的片面化或程式化。而作为现代书学史上的一部体系性著作,其内部理论的整体性与自足性仍值得深入探讨。本文以《广艺舟双楫》的内在理路为学术基点,从其审美构成中“古意”与“篆隶笔意”、“茂密”与“方圆”的两个层面来探究其深层的书学体系及思想。 In the study of book study theory of “Guang Yi Zhou Shuang 楫”, the criticism and interpretation of its theory often involve the academic topics of “Shi Xue ” and “Tie Xue ” and the political context of the text, these factors Although it can not be ignored, it may also lead to one-sided interpretation or stylization. As a systematic work in the history of modern books and records, the integrity and self-containedness of its internal theory still deserve further discussion. Based on the internal rationale of “Guang Yi Zhou Shuang 楫”, this essay analyzes the relationship between “ancient Yi” and “篆 隶 笔 意 意”, “密 ” and “Fang Yuan” in its aesthetic composition Level to explore its deep book system and thinking.