戏剧的魅力就在于,你明明在场,却眼睁睁看到舞台上发生的各种意料之外,新奇、惊喜拟或感动、愤怒,有时候,经验会显得十分无力,困惑甚至无感。剧场里,舞台上,什么都可能发生。国光剧团演出的小剧场京剧《卖鬼狂想》初体验之下竟然有一种抓狂的感觉,这个剧,一点都不“国光”。作为京剧,似乎剧种的色彩太过轻淡,《金锁记》的优雅大气、《三个人儿两盏灯》的细腻温婉等都不见了。行当安排上,只有三个丑角,行当单一,似乎不够赏心 The charm of drama is that you are obviously present, but you can see the novelty, the surprise or the move, the anger, and sometimes the experience will be very weak, confused or even nonsensical. Theater, the stage, anything can happen. Guoguang theatrical performances of a small theater Beijing Opera “selling ghost fantasy” first experience under unexpectedly there is a feeling of madness, the show, not at all, “Guoguang.” As a Beijing Opera, it seems that the colors of the operas are too light, the elegant atmosphere of “Golden Lock”, the exquisite mildness of “three lamps and two lamps” are all gone. Row arrangements, only three harlequins, a single line of business, it seems not enough pleasure