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庾肩吾将“天然”与“功夫”这两个截然相反的概念结合起来论述了书法的应有姿态。庾认为,天然是指自然表现的妙处。与之相反,人为的巧妙便是功夫,并列举书法史上的张芝、钟繇、王羲之三大名家,对他们的书法进行了品评。张秀于功夫劣于天然,钟秀于天然而劣于功夫,王功夫劣于张、天然劣于钟,但天然与功夫的结合上比二者皆胜一筹。故被推为“上之上”。这是一种中庸论,这种论断也被张怀瓘的《书断》、孙过庭的《书
Shoulou Wu combines the two diametrically opposite concepts of “natural” and “kung fu” to discuss the proper attitude of calligraphy.庾 think that nature refers to the beauty of natural performance. On the contrary, man-made ingenuity is Kung Fu, and cites the famous masters Zhang Zhi, Zhong Kui and Wang Xizhi in the history of calligraphy for their calligraphy. Zhang Xiu in Kung Fu inferior to natural, Zhong Xiu in the natural and inferior to kung fu, Wang Kung Fu inferior to Zhang, naturally inferior to the bell, but the combination of natural and Kung Fu are better than both. It is pushed to “on top ”. This is a kind of doctrine of the mean, this kind of judgment also is Zhang Huai-ji’s “book broken”, Sun Chaotian’s "book