30年来中国大陆艺术市场发展的状况大致是10年一段。1989年以前的1 0年主要是书画收藏市场,当代艺术作品的收藏少得可怜。1989年现代艺术展时长城美术馆用很低的价钱收购作品,大家都欣喜异常。1989年到世纪末,海外投资者开始在大陆艺术家中收藏作品,主要有三条线索:1、港台、东南亚有实力的华人对大陆当代艺术渐有兴趣,比如张颂仁通过后“’89”中国新艺术展,收藏了一大批中国当代艺术家的作品。2、国内个别企业老板通过展览活动收藏作品,如90年代初广州油画双年 The development of the art market in Mainland China over the past 30 years has been about 10 years. The decade before 1989 was dominated by the collection of calligraphy and painting, and the collection of contemporary works of art was pitifully small. At the time of the Modern Art Exhibition, 1989, the Great Wall Art Museum acquired the works at a very low price, and everyone was delighted. From the end of 1989 to the end of the century, overseas investors began to collect works of works by Chinese artists. There are three main clues: 1. The powerful Chinese in Hong Kong, Taiwan and Southeast Asia are becoming more and more interested in the contemporary Chinese art. For example, after Chang Tsung-jen passed the “89” China New Art Exhibition, a collection of a large number of Chinese contemporary artists. 2, the domestic individual business owners through the exhibition collection activities, such as the early 90s Guangzhou Oil Painting Year