唐代佛禅山水诗是中国特定的历史文化背景的产物,但作为一种艺术思维方式或审美范式,它已超出了自己的时代,具有独特的审美境界。禅家诗人以山水作为主体,又把山水作为本体,以禅入诗,抒发对人生的独特体验,他们的美学追求是静寂孤僻、宁静淡远,具有虚静空灵的意境美。 The Buddhism landscape poems of the Tang Dynasty are the product of the specific historical and cultural background in China. However, as an artistic mode of thinking or aesthetic paradigm, it has gone beyond its own time and has a unique aesthetic realm. The Zen poets take the landscape as the main body, take the landscape as the main body and the meditation into the poem to express the unique experience of life. Their pursuit of aesthetics is quiet and withdrawn, quiet and distant, with the beauty of artistic and ethereal landscape.