中国美学的思维取向并非如人想像的那样,一开始就是超越主客关系的“天人合一”的审美。实际上中国的审美思维里一直有着一种自觉的主客之间的二元区分,只是这种二元区分不是西方式的二元对立、二元分裂,而是区分后又极力寻求二者之间的合一。 The orientation of thinking of Chinese aesthetics is not as imaginative as it was from the very beginning: the aesthetic unity of man and nature beyond the relationship between the subject and the guest. In fact, the aesthetic thinking in China has always had a conscious distinction between the subject and the object, except that the dual distinction is not Western-style binary opposition but dualistic and divides, but rather seeks to seek the distinction between the two One of the unity.