论文部分内容阅读
学院化的版画随着现代艺术这种倾向的不断发展,形成了艺术运动中的固定原则乃至共同的标准。显然,这与艺术的不确定性和无穷变化的本性相矛盾,也与创新的本性相矛盾。从起点到起点的学院版画,是对本体语言的纯化。起点让我们明白,学院版画的优势,认识我们在现代艺术中由原则所派生出来的种种仪式化的精英身份,但在当代艺术的浪潮中,只有起点置于“共生”的语境中才是因时制宜的,我们对待终点的视角才会发生质的改变。
With the continuous development of this tendency of modern art, the academic printmaking has formed a fixed principle and even a common standard in the art movement. Obviously, this contradicts the uncertainty of art and the nature of endless change, and contradicts the nature of innovation. From the beginning to the beginning of the college print, is the purification of ontology language. The starting point is to make us understand the advantages of academic printmaking and to recognize the ritualistic elitism that we derive from principles in modern art. But in the tide of contemporary art, only the starting point is placed in the context of “symbiosis.” It is because of the time that our quality of treatment will change before the end point of view.