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一关于生活之于创作的关系本不是什么新鲜理论。前者是后者的逻辑起点与源泉,这是许多理论家和实践家在论及创作规律的时候都反复说到的。近代创作源泉论述起于俄国车尔尼雪夫斯基,他在《艺术和现实的审美关系》(1879年)中认为,作品与现实相比,保留了物质的东西,但永远不如现实生活那么美。但是“艺术的范围不限于美和所谓美的因素,而是包括现实(自然和生活)中一切能使人发生……兴趣的事物:生活中普遍引人兴趣的事物就是艺术的内容。”之后俄国作家托尔斯泰
The relationship between life and creation is not a new theory. The former is the logical starting point and source of the latter. This is what many theorists and practitioners have repeatedly said when discussing the law of creation. The sources of modern creative origins originate from Chernyshevsky in Russia. In his book The Aesthetic Relations between Art and Reality (1879), he holds that works retain material things compared with reality but are never as beautiful as real life . But “the scope of art is not limited to beauty and the so-called aesthetic factors, but everything that makes one happen in reality (nature and life) ... something that is of universal interest in life is the content of art.” Tolstoy, Russian writer