[引言]:以《草房子》为例,曹文轩的作品真实记录了少儿成长过程中内心世界的挣扎,并致力于追求一种古典的美感与悲悯情怀。然而过度追求美感致使其创作中存在“美”与“真”的裂隙。美感与真实并不矛盾,追求美感不应以牺牲真实为代价。无论何时,“真实”都是推动少儿成长的真正动力。曹文轩的作品具有相对一致的创作风格,如诗如画 [Introduction]: Take “Grass House” as an example, Cao Wenxuan’s work truly records the inner world’s struggles in the process of children’s growth and is committed to pursuing a kind of classical beauty and compassion. However, excessive pursuit of beauty leads to the fissure of “beauty” and “truth” in his creation. Aesthetic feeling is not contradictory to reality. The pursuit of beauty should not come at the expense of truth. Whenever possible, “real ” is the real motivation to promote children’s growth. Cao Wenxuan’s work has a relatively consistent creative style, picturesque