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《陶魂》是一部人物片,它表现了济南军区雕塑艺术家仇志海甘于寂寞,栖土枕窑,重造华夏黑陶的追求。同时,《陶魂》又是一部艺术片,它展示了中国黑陶这种神奇的文化,让人们在了解黑陶的起源、消失与再现的过程中,体味黑陶文化的底蕴,感悟民族文化丰富的内涵。片中主人翁仇志海在塑造他的黑陶艺术的同时,也塑造起一位坚韧不拔的山东汉子形象。在为这部片子制作声音时,我以自己强烈地参与意识,去理解和把握编导的意图及影片的内涵,在以下几个方面做了一些探索。首先,这部片子所展示的文化是在中国具有四千多年历史的、死而复生的文化。因此,它既是古老的,
“Tao Hun” is a character film, it shows the pursuit of the Jinan military sculpture artist Qiu Zhihai lonely, habitat pillows, reconstruction of Chinese black pottery. At the same time, “Tao Hun” is a piece of art, which shows the magical culture of Chinese black pottery so that people understand the origin of black pottery, disappear and reproduce the process, appreciate the heritage of black pottery culture, rich sentiment of national culture Connotation. Chou Chih-hai, the masters of the film, shaped his black-pottery art as well as shaping a gritty Shandong man image. While making the sound for this film, I made a number of explorations in the following aspects by strongly participating in my own consciousness, understanding and mastering the director’s intention and the content of the film. First of all, the culture shown in this film is a resurrected culture with a history of more than 4000 years in China. Therefore, it is both ancient,