上海双年展上海美术馆原为跑马场会馆,纵向空间低矮,横向空间凝固,布局犹如迷宫,同今天的上海完全不协调,感觉是地下党设计的窝子,根本不适合做当代艺术。我想策划时一定大伤脑筋。个展是花钱请人捧的活动,双年展是花大钱让人骂的活动。上海双年展用“快城快客”作为标题,贴切地体现出这个快餐时代的文化品位,不过人们仍旧照骂不误。在我的眼里,这个展览的倾向是现实主义,同画布现实主义的不同之处是采用了流行的手段。从形态到观念,本次双年展都不属于地道的当代艺术。 Shanghai Biennale Shanghai Art Museum was originally a racecourse, vertical space low, horizontal space solidification, the layout is like a maze, with today’s Shanghai completely incompatible, feeling is the underground party design of the nest, is not suitable for contemporary art. I think when planning something must be a big headache. Solo exhibitions are expensive activities, and Biennale is a cursory activity that costs a lot of money. The Shanghai Biennale uses “Fast City Express” as its title, aptly demonstrating the cultural taste of this fast food era, but people still use it to scold them correctly. In my eyes, the tendency of this exhibition is realism, which differs from canvas realism in that it adopts popular means. From the form to the concept, this biennial does not belong to authentic contemporary art.