绘画作为一门艺术语言,其图式表现越来越丰富。而油画在与其他画种相融合的过程中,其表现语言也日益呈现出千姿百态的模式。作者认为,中西油画语言的融合,须在借鉴西方绘画工具和材料的基础上,保留中国油画创作的核心——写意性,并对中国风景油画的创作及发展提出一些建议。 Drawing as an art language, its schema is more and more enriched. However, in the process of blending oil paintings with other paintings, the performance language is showing increasingly different patterns. The author believes that the integration of Chinese and Western oil painting language should be based on Western drawing tools and materials, to retain the core of Chinese oil painting - freehand, and make some suggestions on the creation and development of Chinese landscape painting.