今年是南京艺术学院建校100周年。作为中国创办最早的现代形态的艺术学府,南京艺术学院的历史在很大程度上和中国近现代美术发展史是相重合的。相同的发生背景、相同的人物线索、相同的发展脉络,这些相同点将一部原本属于学校的微观历史编织进了更为宏大的中国近现代美术史中。剥去一些具体的人或事,只从观念形态上来把握这部重叠的美术史,或许可以更为清晰地呈现南京艺术学院与中国近现代美术发展的历史关系。 This year is the 100th anniversary of the founding of Nanjing Arts Institute. As the earliest art school founded by China in its modern form, the history of Nanjing Arts Institute is largely coincident with the history of the development of Chinese modern art. The same background, the same clues, the same development vein, these same points will be a part of the micro-history of the school weaving into a more ambitious Chinese modern art history. To peel off some specific people or things and grasp this overlapping history of art only from the concept of form may perhaps give a clearer picture of the historical relationship between the Nanjing Art Institute and the development of modern and contemporary Chinese art.