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本期“水墨黄山”8图例,用纯黑白的表现手法,采取不同的拍摄方法、灵活变化的构图形式以及异样的后期处理,以达到统一中有变化、变化中求统一的创意思维。中国画中有墨分五色经典之说,讲的是对墨的认识和驾驭。在黑白摄影中,对灰阶的感悟和控制与墨分五色有着异曲同工之妙。灰阶可以产生丰富而奇妙的趣味,在表现画意作品时尤其突出。机缘与此,笔者做“水墨黄山”的探索尝试。黑白影像抽去了现实物像中的色彩,使影像处于“物非物”的疏离状态,拉开了与现实的距离。正所谓距离产生美,这里的距离其实
This issue of “Huangshan ink” 8 illustrations, with pure black and white performance techniques, take a different shooting methods, flexible composition and the form of exotic post-processing, in order to achieve unity, change, change and seek unity of creative thinking. In Chinese painting, there are five types of ink classic, talking about understanding and control of ink. In black and white photography, the perception and control of grayscale has the same features as the different colors of ink. Grayscale can produce a rich and wonderful taste, especially in the performance of painted works. Opportunities and this, I do “ink Huangshan ” exploration attempt. The black-and-white image extracts the color of the real image, leaving the image in a state of alienation of “non-material ”, opening the distance from reality. The so-called distance produces beauty, the distance here actually