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作为一个哲学概念,“意识形态”有自己的发展历史,它大致经历了肯定性—否定性—描述性三个阶段。将“意识形态”作为一个描述性的概念,是目前通行的理解。“审美意识形态论”没有膨胀“审美”,更没有空置和淡化“意识形态”,也没有割裂人的精神活动与历史的关系;相反,它彰显了艺术实践的政治内涵———“元政治”。巴赫金的“意识形态科学”论述了“审美”与“意识形态”的融合,“审美意识形态论”是文学理论坚实的基点。
As a philosophical concept, “ideology” has its own history of development. It generally goes through three stages of affirmative - negative - descriptive. It is the prevailing understanding that “ideology” is a descriptive concept. The theory of aesthetic ideology does not inflate “aesthetic”, nor does it lack or dilute “ideology” nor does it have the relationship between the mental activity of separating people and history. On the contrary, it shows the political connotation of artistic practice --- “meta-politics ”. Bakhtin’s “Ideology Science” discusses the integration of “aesthetic” and “ideology.” The “aesthetic ideology” is a solid starting point for literary theory.