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本文以组织结构复杂且具有典型性的云南省临沧市沧源县班老佤族总佛寺的大殿开光仪式为例,尝试分析探讨境内“傣泐亚文化圈”的诵经音声系统分层规律是如何在具体仪式当中应用,并以动态综合方式构成的。南传佛教诵经主要在仪式中构成,其结构和组织方式是宗教信仰多方面综合并相互作用的结果。临沧佤族地区南传佛教诵经音声系统将地方特征融于宗教原则之中,兼具典型性和特殊性,按照经文类型划分为巴利语经书、地方语经书和傣语宗教叙事诗三类,分别对应宗教核心—中介—外围层面。本文通过解读仪式空间中诵经音声内容、旋律风格及其与仪式仪程的“同形同构”关系,论证南传佛教诵经音声中蕴含的分层规律特征不是仅由经文和音声构成的独立静态的概念,而是由信仰功能、仪式场域、人员组合等多重结构组合形成的动态综合体。
This article takes the opening ceremony of the main hall of Baolao Wa Buddhist Temple in Cangyuan County, Lincang City, Yunnan Province, as an example, to analyze and discuss the stratification of the system of chanting sounds in the “Dai 泐 Subculture Circle” How the law is applied in a specific ritual and is composed in a dynamic and comprehensive way. The chanting of Buddhist scriptures in the South is mainly formed in rituals, and its structure and organization are the result of multi-faceted and interaction of religious beliefs. The linguistic system of Southern Buddhism recited in Lincang Wa area combines local features into religious principles, which are both typical and particular. According to the types of scriptures, they are divided into three categories: Pali language scriptures, local language scriptures and Dai religious religious poems , Respectively, corresponding to the religious core - intermediary - peripheral level. This dissertation demonstrates that the characteristics of stratification contained in the chanting sounds of the Southern Buddhist Buddhism are not only from the perspectives of the scriptural and linguistic Sound composition of the concept of independent static, but by the belief function, ritual field, personnel combinations and other multi-structure combination of dynamic synthesis.