从主动放弃学院时期的表现风格算起,刘韡十五年来的创作历程既能看到对个体性自我的持续压制,又能觉察出另一个晦暗主体的萌动。在这个孕育过程中,个体经验是被视为一种被动的体验方式而最大化地遭到压制。因为无论是题材或主题的表现,还是不同媒材的选择;无论是以异化还是以认同的方式,如果个体过于依附社会现实,这种经验将充其量成为社会意识的一种投射。进而,我们也没有真正地面对艺术作品,而是在认知一种社会观念,在这里,作为普遍性和整体性的世界依然没有开放。同样,正如刘韡屡次提到的,身体,和自我经验一样, From the initiative to abandon the performance style of the school period, Liu Kui fifteen years of creative history can not only see the continuous suppression of individual self, but also aware of another dark subject of germination. In this breeding process, individual experience is treated as a passive way to maximize the suppression. Because neither the subject matter nor the subject’s performance is the choice of different media, alienation or identity means that if an individual is too dependent on social reality, such experience will at best be a projection of social consciousness. Furthermore, we are not really confronted with works of art, but we are cognizant of a social concept where the universal and holistic world is still not open. Similarly, as Liu Xie repeatedly mentions, the body, like self-experience,