1937年由侵占中国东北的日本关东军和伪满政府建立的“株式会社满洲映画协会”(简称“满映”),是日本殖民者对东北人民进行奴化宣传、落实日伪政权的殖民主义“国策”的精神侵略工具,这一点毋庸否认也无法否认。这样一个殖民主义的电影机构里,主要的领导层、管理者和从业者都是日本人,换言之,日本人是“满映”的主体,是丝毫不奇怪的。但是,历史的复杂性在于,这个殖民性的电影机构里任职的日本人,其政治态度和立场、对中国人的态度、对日本发动侵略战争和殖民主义的态度,也是不一样 In 1937, the “Association of Manchurian, Silom Co., Ltd.” established by the Japanese Kwantung Army and the puppet Manchu government that encroached on northeastern China was a period in which Japanese colonialists enslaved the propaganda and implemented the Japanese-puppet regime It is needless to say that we can not deny the fact that this is the spiritual aggression tool of colonialism and state policy. In such a colonial film agency, it is not surprising that the major leaders, managers and practitioners are Japanese. In other words, the Japanese are the main body of “full reflection.” However, the historical complexity is that the Japanese people serving in this colonial film organization are also different in their attitudes toward and attitude toward the Chinese people toward Japan’s aggressive wars and colonialism