《春天的二十二个夜晚》(以下简称《春》)作为徐坤的第一部长篇小说,并非只是篇幅的拉长,而是有着新的意义,它标志着作者不再以一个理智周全的智者的面目出现而是回归为一个也有困惑也有迷惘的常人,把自己真实的困惑展示出来并凸显出女性的叙事特点,本文尝试分析这种女性独特的 “Spring’s 22 Nights” (hereinafter referred to as “Spring”) as Xu Kun’s first novel is not merely an extension of space, but has a new meaning, which marks the author no longer comprehensive with a reason But returned to being an ordinary person who is also confused and confused, showing his real confusion and highlighting the narrative features of women.This article tries to analyze the uniqueness of this woman